: EDUCATION :
2012-2014 Master of Fine Art, Bergen Academy of Art and Design
2010-2011 Bachelor of Fine Arts, Ceramics, Bergen Academy of Art and Design
2007-2009 Diploma, Forming, Reykjavik School of Visual Arts
2005-2006 Anthropology, University of Iceland
2003-2004 Preparatory Art Studies, Akureyri School of Visual Arts
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: SOLO EXHIBITIONS :
2018 Vestlandsutstillingen 2018, Kunsthall Stavanger, NO – collaboration with Karin Blomgren
2016 Abrasion, Visningsrommet USF, NO – collaboration with Karin Blomgren
2015 Deposit, KRAFT, Bergen, NO – collaboration with Karin Blomgren
2014 …riddled with defects and tiny fractures., Galleri Fisk, Bergen, NO
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: SELECTED GROUP EXHIBITIONS :
2024 – Ether, KunstCentret Silkeborg Bad, DK
2020 – Soil Matters, Design Museum Helsinki, FI
2020 – NORTH, Listasafn Árnesinga, IS
2019 – DeTox – Clean it up!, research project at Rejmyre Art Lab, SE
2018 – Transitions, Konstmuseet i Norr, SE
2018 – European Ceramic Context, Curated, Bornholm, DE
2018 – Beyond the Object – Contemporary Nordic Ceramic Art, Uppsala,SE
2017 – Parcours Céramique Carougeois, International Ceramics Biennal, CH, Collaboration w/Karin Blomgren
2016 – Experiment – Clay and more, Hafnarborg, IS
2016 – Tendenser, Punkt Ø, Galleri F15, Moss, NO, Collaboration w/ Karin Blomgren
2015 – Kunstgarasjen, Kunstgarasjen, Bergen, NO
2014 – Knock Knock, Billedhoggerhuset, Oslo, NO
2014 – Ung. Lovende, Punkt Ø, Moss, NO
2014 – MEAGHEA SKKLL rKGM MAH TNCA, Bergen Kunsthall, NO
2013 – Topographies of the Obsolete. Airspace gallery, Stoke-on-Trent, UK
2013 – Topographies of the Obsolete – Vociferous Void. British Ceramics Biennial, UK
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: SELECTED TEXTS AND PUBLICATIONS :
Tölum um Keramik, R.I. Ágústsdóttir, G. Hafsteinsdóttir, B. Sigurðsson and K. Sigurðardóttir, 2022
North, Podcast by Tómas Ævar Ólafsson, 2020
Ceramic Review, Sculpture Vultures by Elaine Bolt, Issue no. 306, 2020
HA Design Magazine, The Landscape in Clay by Hrefna Sigurðardóttir, Issue no. 8, Autumn 2018
FORM, Going under Ground by Emilia Engblad, Issue no. 3, 2018
VU18 (Vestlandsutstillingen ’18), A Co-authored Geology by Phoebe Cummings, 2018
Topographies of the Obsolete: Site Reflections, 2015
Topographies of the Obsolete: Vociferous Void, 2013
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: RESIDENCIES :
2019 – “Ephemerality in Clay”, Group residency at Watershed – Center for the Ceramic Arts, USA
2018 – IASPIS Residency Program, Stockholm, SE
2012-2017 – Topographies of the Obsolete, Artistic Research Project, NO/UK
2016 – Can Serrat – Artists Residency, ES
2014 – Nordic Studio for Continued Engagement, Rejmyre Art Lab, Residency, SE
2011 – Project Network – Guldagergaard Ceramic Center, Residency, DE
2008 – Workshop with Icelandic Raw Materials, Nýp, Dalasýslu, IS
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: RELEVANT WORK :
2018-2024 – Teaching at Reykjavík School of Visual Art, IS
2018 – Visiting teacher at Kunsthøgskolen i Oslo, NO
2017 – Visiting teacher at KMD – Faculty of Fine Art in Bergen, NO
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: SUPPORT & AWARDS :
2020 – Listamannalaun / Working Stipend, 2 months, Rannís, IS
2019 – Arbeidsstipend for Yngre Nyetablerte Kunstnere – 1 year, Arts Council Norway
2019 – Listamannalaun / Working Stipend, 6 months, Rannís, IS
2018 – Awarded first prize at the European Ceramic Context 2018 for “Still Waters”, DK
2016 – Etableringsstipend, Bergen Kommune, NO
2016 – Arbeidsstipend for Yngre Nyetablerte Kunstnere – 2 years, Arts Council Norway
2015 – Diversestipend for Nyutdannede Kunstnere, Arts Council Norway
2014 – Student Award, Bildende Kunstnerens Hjelpefond (BKH), NO
2013 – Student Award, Bildende Kunstnerens Hjelpefond (BKH), NO
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: ONGOING PROJECTS :
2014- Continued collaboration with Karin Blomgren