C.V.

 

: EDUCATION :

2012-2014     Master of Fine Art, Bergen Academy of Art and Design

2010-2011     Bachelor of Fine Arts, Ceramics, Bergen Academy of Art and Design

2007-2009    Diploma, Forming, Reykjavik School of Visual Arts   

2005-2006    Anthropology, University of Iceland    

2003-2004    Preparatory Art Studies, Akureyri School of Visual Arts     

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: SOLO EXHIBITIONS :

2018      Vestlandsutstillingen 2018, Kunsthall Stavanger, NO – collaboration with Karin Blomgren

2016     Abrasion, Visningsrommet USF, NO – collaboration with Karin Blomgren

2015     Deposit, KRAFT, Bergen, NO – collaboration with Karin Blomgren

2014     riddled with defects and tiny fractures., Galleri Fisk, Bergen, NO

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: SELECTED GROUP EXHIBITIONS :

2024 – Ether,  KunstCentret Silkeborg Bad, DK

2020 – Soil Matters, Design Museum Helsinki, FI

2020 – NORTH, Listasafn Árnesinga, IS

2019 – DeTox – Clean it up!, research project at Rejmyre Art Lab, SE 

2018 – Transitions, Konstmuseet i Norr, SE

2018 – European Ceramic Context, Curated, Bornholm, DE

2018 – Beyond the Object – Contemporary Nordic Ceramic Art, Uppsala,SE

2017 – Parcours Céramique Carougeois, International Ceramics Biennal, CH, Collaboration w/Karin Blomgren

2016 – Experiment – Clay and more, Hafnarborg, IS

2016 – Tendenser, Punkt Ø, Galleri F15, Moss, NO, Collaboration w/ Karin Blomgren

2015 – Kunstgarasjen, Kunstgarasjen, Bergen, NO

2014 – Knock Knock, Billedhoggerhuset, Oslo, NO   

2014 – Ung. Lovende, Punkt Ø, Moss, NO

2014 – MEAGHEA SKKLL rKGM MAH TNCA, Bergen Kunsthall, NO

2013 – Topographies of the Obsolete. Airspace gallery, Stoke-on-Trent, UK

2013 – Topographies of the Obsolete – Vociferous Void. British Ceramics Biennial, UK

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: SELECTED TEXTS AND PUBLICATIONS :

Tölum um Keramik, R.I. Ágústsdóttir, G. Hafsteinsdóttir, B. Sigurðsson and K. Sigurðardóttir, 2022

North, Podcast by Tómas Ævar Ólafsson, 2020

Ceramic Review, Sculpture Vultures by Elaine Bolt, Issue no. 306, 2020

HA Design Magazine, The Landscape in Clay by Hrefna Sigurðardóttir, Issue no. 8, Autumn 2018 

FORM, Going under Ground by Emilia Engblad, Issue no. 3, 2018

VU18 (Vestlandsutstillingen ’18), A Co-authored Geology by Phoebe Cummings, 2018

Topographies of the Obsolete: Site Reflections, 2015

Topographies of the Obsolete: Vociferous Void, 2013

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: RESIDENCIES :

2019 – “Ephemerality in Clay”, Group residency at Watershed – Center for the Ceramic Arts, USA

2018 – IASPIS Residency Program, Stockholm, SE

2012-2017 – Topographies of the Obsolete, Artistic Research Project, NO/UK

2016 – Can Serrat – Artists Residency, ES

2014 – Nordic Studio for Continued Engagement, Rejmyre Art Lab, Residency, SE

2011 – Project Network – Guldagergaard Ceramic Center, Residency, DE

2008 – Workshop with Icelandic Raw Materials, Nýp, Dalasýslu, IS

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: RELEVANT WORK :

2018-2024 – Teaching at Reykjavík School of Visual Art, IS

2018 – Visiting teacher at Kunsthøgskolen i Oslo, NO

2017 – Visiting teacher at KMD – Faculty of Fine Art in Bergen, NO

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: SUPPORT & AWARDS :

2020 – Listamannalaun / Working Stipend, 2 months, Rannís, IS

2019 – Arbeidsstipend for Yngre Nyetablerte Kunstnere – 1 year, Arts Council Norway

2019 – Listamannalaun / Working Stipend, 6 months, Rannís, IS

2018 – Awarded first prize at the European Ceramic Context 2018 for “Still Waters”, DK

2016 – Etableringsstipend, Bergen Kommune, NO

2016 – Arbeidsstipend for Yngre Nyetablerte Kunstnere – 2 years, Arts Council Norway

2015 – Diversestipend for Nyutdannede Kunstnere, Arts Council Norway

2014 – Student Award, Bildende Kunstnerens Hjelpefond (BKH), NO    

2013 – Student Award, Bildende Kunstnerens Hjelpefond (BKH), NO    

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: ONGOING PROJECTS :

2014-               Continued collaboration with Karin Blomgren